This film is only available as part of our Lynne Sachs Focus which you can watch here.
A portrait of Sandor (Alexander) Lenard, a Hungarian medical doctor and a distant cousin of Sachs. In 1938 Lenard, a writer with a Jewish background, fled the Nazis to Rome. Shortly thereafter, the U.S. Army Graves Registration Service hired him to reconstruct the bones of dead American soldiers. Eventually he found himself in Brazil where he translated “Winnie the Pooh” into Latin, an eccentric task that catapulted him to brief world-wide fame. Personal letters, abstracted war imagery, home movies, interviews, and a children’s performance create an intimate meditation on the destructive power of war.
My Body, Your Body, Our Bodies: Somatic Cinema at Home and in the World
How do we negotiate the photographing of images that contain the body? What experiential, political or aesthetic contingencies do we bring to both the making and viewing of a cinema that contains the human form? If a body is different from our own—in terms of gender, skin colour, or age—do we frame it differently?
New York filmmaker Lynne Sachs guides us through her own evolution as a filmmaker by sharing excerpts from her films, from 1987 to the present, exploring the fraught and bewildering challenge of looking at the human form from behind the lens.